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Debates in the Digital Humanities 2019: PART I ][ Chapter 7

Debates in the Digital Humanities 2019
PART I ][ Chapter 7
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Notes

table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Introduction | Matthew K. Gold and Lauren F. Klein
  6. Part I. Possibilities and Constraints
    1. 1. Gender and Cultural Analytics: Finding or Making Stereotypes? | Laura Mandell
    2. 2. Toward a Critical Black Digital Humanities | Safiya Umoja Noble
    3. 3 Can Video Games Be Humanities Scholarship? | James Coltrain and Stephen Ramsay
    4. 4. “They Also Serve”: What DH Might Learn about Controversy and Service from Disciplinary Analogies | Claire Warwick
    5. 5. No Signal without Symbol: Decoding the Digital Humanities | David M. Berry, M. Beatrice Fazi, Ben Roberts, and Alban Webb
    6. 6. Digital Humanities and the Great Project: Why We Should Operationalize Everything—and Study Those Who Are Doing So Now | R. C. Alvarado
    7. 7. Data First: Remodeling the Digital Humanities Center | Neil Fraistat
    8. 8. The DH Bubble: Startup Logic, Sustainability, and Performativity | David S. Roh
    9. 9. The Scandal of Digital Humanities | Brian Greenspan
    10. 10. Digital Humanities as a Semi-Normal Thing | Ted Underwood
  7. Part II. Theories and Approaches
    1. 11. Sample | Signal | Strobe: Haunting, Social Media, and Black Digitality | Marisa Parham
    2. 12. Unremembering the Forgotten | Tim Sherratt
    3. 13. Reading for Enactment: A Performative Approach to Digital Scholarship and Data Visualization | Kyle Parry
    4. 14. The Care of Enchanted Things | Kari Kraus
    5. 15. Zonas de Contacto: A Digital Humanities Ecology of Knowledges | Élika Ortega
    6. 16. The Digital Humanities and “Critical Theory”: An Institutional Cautionary Tale | John Hunter
    7. 17. The Elusive Digital / Critical Synthesis | Seth Long and James Baker
    8. 18. The Archive after Theory | Megan Ward with Adrian S. Wisnicki
  8. Part III. Methods and Practices
    1. 19. Teaching Quantitative Methods: What Makes It Hard (in Literary Studies) | Andrew Goldstone
    2. 20. Videographic Criticism as a Digital Humanities Method | Jason Mittell
    3. 21. Spaces of Meaning: Conceptual History, Vector Semantics, and Close Reading | Michael Gavin, Collin Jennings, Lauren Kersey, and Brad Pasanek
    4. 22. Paid to Do but Not to Think: Reevaluating the Role of Graduate Student Collaborators | Rachel Mann
    5. 23. Against Cleaning | Katie Rawson and Trevor Muñoz
    6. 24. New Data? The Role of Statistics in DH | Taylor Arnold and Lauren Tilton
    7. 25. Making Time: Workflow and Learning Outcomes in DH Assignments | David “Jack” Norton
    8. 26. Not Just Guns but Bullets, Too: “Deconstructive” and “Constructive” Making within the Digital Humanities | Matt Ratto
  9. Part IV. Disciplines and Institutions
    1. 27. A Conversation on Digital Art History | Johanna Drucker and Claire Bishop
    2. 28. Volumetric Cinema | Kevin L. Ferguson
    3. 29. Joyce and the Graveyard of Digital Empires | Elyse Graham
    4. 30. Educational Technology and the Humanities: A History of Control | Curtis Fletcher
    5. 31. A Braided Narrative for Digital History | Lincoln Mullen
    6. 32. Are Para-Academic Career Paths about People or Places? Reflections on Infrastructure as the European Alt-ac | Jennifer Edmond
    7. 33. The Making of the Digital Working Class: Social History, Digital Humanities, and Its Sources | Andrew Gomez
    8. 34. Mixed Methodological Digital Humanities | Moacir P. de Sá Pereira
    9. 35. From Humanities to Scholarship: Librarians, Labor, and the Digital | Bobby L. Smiley
  10. Part V. Forum: Ethics, Theories, and Practices of Care
    1. 36. Forum Introduction | Lauren F. Klein and Matthew K. Gold
    2. 37. Capacity through Care | Bethany Nowviskie
    3. 38. Material Care | Steven J. Jackson
    4. 39. Caring Archives of Subalternity? | Radhika Gajjala
    5. 40. A Pedagogical Search for Home and Care | Marta Effinger-Crichlow
    6. 41. DH Adjuncts: Social Justice and Care | Kathi Inman Berens
    7. 42. Self-Care Is Crunk | The Crunk Feminist Collective
    8. 43. The Black Box and Speculative Care | Mark Sample
    9. 44. A Care Worthy of Its Time | Jussi Parikka
  11. Acknowledgments
  12. Contributors

PART I ][ Chapter 7

Data First: Remodeling the Digital Humanities Center

Neil Fraistat

A recent global benchmarking report for the Mellon Foundation on developing expertise in digital scholarship stresses the importance of local knowledge and communities of practice to the transfer and development of digital skills.[1] In the words of one participant, “It is better to learn from your community than take specialized training thousands of miles away.” Of course, that all depends on the opportunities afforded by the local community, including whether it contains a DH center, where much (though by no means all) DH training still happens. DH centers themselves, however, have had changing roles over the years in local community training. As a longtime director of the Maryland Institute for Technology in the Humanities (MITH), I would like to consider these changes in the context of the DH center as an institution.

North American DH centers have helped humanists develop digital competencies primarily through the offering of faculty fellowships for project development. This model was originally based on one that Humanities Centers had already long been using successfully: faculty fellows receive a year off from teaching to work on a book project, in return for which they participate as a resident at the center, participating in various fora of intellectual exchange about their work and the work of other fellows. As transferred to DH centers in the early 1990s, especially through the prominent Institute for Advanced Technology in the Humanities (IATH) at the University of Virginia, the “fellows project model” was extraordinarily successful and influential. And, indeed, it served well in meeting the needs of a historical moment in which the great majority of humanists were uninterested at best and suspicious at worst of digital scholarship. By engaging, as fellows, renowned scholars such as Jerome McGann and Ed Ayers—whose projects served as models of what digital scholarship could achieve—IATH was able to advance the standing of the field at a moment when such intervention was crucial to its future.

We are currently in quite a different moment, however, when there is widespread interest on the part of humanities faculty and students in developing digital competencies. To my mind, the fellowship model for DH centers now constitutes an overinvestment in the few at the expense of the many, especially when it is the primary way that a DH center transfers new digital skills to faculty. Even in the previous era, this model often resulted in faculty fellows relying almost completely on the digital competencies of center staff, rather than developing any new skills of their own. This, in turn, led to all sorts of problems in the life of the project after the completion of the fellowship period. It is one thing to ask humanities scholars to produce a book and another thing to ask them to produce a major digital project during their fellowship year. We need to think creatively beyond the “fellow” and the “fellowship project” as the only, or even the primary, means for developing digital competencies.

Last year, at the DH center that I directed, the Maryland Institute for Technology in the Humanities (MITH), we experimented with digital skills development by starting not with a fellow or a project, but with a dataset: an archive of more than thirteen million tweets harvested by our lead developer, Ed Summers, concerning the shooting of Michael Brown by a police officer in Ferguson, Missouri, and the protests that arose in its wake.[2] Beginning with this dataset, MITH invited arts and humanities, journalism, social sciences, and information sciences faculty and graduate students to gather and generate possible research questions, methods, and tools to explore it. In response to the enthusiastic and thoughtful discussion at this meeting, MITH created a series of five well-attended “Researching Ferguson” workshops on how to build social media archives, the ethics and rights issues associated with using them, and the tools and methods for analyzing them. The point here was not to introduce scholars to digital humanities or to enlist them in a project, but to enable them through training and follow-up consultations to do the work they were already interested in doing with new datasets, methods, and tools. This type of training is crucial if DH centers are going to realize their potential for becoming true agents of disciplinary transformation.

The “Researching Ferguson” training sessions are the most recent iteration of what we at MITH have called our Digital Humanities Incubator series, which began in 2013 as a program intended to help introduce university libraries faculty, staff, and graduate assistants to digital humanities and guide them into digital work through a series of workshops, tutorials, “office hours,” and project consultations. We have since found that the incubator process is most effective when it helps in generating new lines of inquiry, in encouraging the development of significant research questions, and in exploring meaningful datasets through computational methodologies. Its goal is to organize the high-level training intended to acculturate scholars, students, and librarians to new modes of data-driven research, collaboration, and publishing across projects.

One of the advantages of the DH incubator model is precisely that it does not engage participants immediately in large-scale, project-based work. Instead, it prepares the ground for such work by cultivating and vetting the research questions that arise as test-bed collections are made tractable to digital tools and methods. This approach has widespread benefits, affecting not only those scholars who eventually do become directly involved in project-centered work but also those who may want to adapt a particular tool or method to their own scholarly investigations or who want to understand better the possibilities of digital work in their own fields. Its outcomes could take the form of various “working groups”—devoted to a particular set of sources, to working out the details of a technical protocol, to raising the profile of particular research questions, or to publishing resources or new scholarly work based on the incubator’s activities.

Whether the incubator process is structured as an introduction to digital humanities, the investigation of a dataset of widespread interest, or as a means for building digital capacity in a field, the great strength of the incubator model as opposed to the faculty fellowship is that it focuses on the creation of local communities of practice. Such communities are key to the successful transfer and development of digital skills. There may be DH centers with sufficient resources to afford both a faculty fellows program and an incubator program. But if it came down to a choice between the two, based on my experience I would take the incubator program every time.

Notes

1. http://www.clir.org/pubs/reports/pub168/pub168.

2. http://mith.umd.edu/research/digital-humanities-incubator-2014-15-researching-ferguson.

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