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Making Things and Drawing Boundaries: Acknowledgments

Making Things and Drawing Boundaries
Acknowledgments
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Notes

table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. Introduction. “I Don’t Know All the Circuitry” | Jentery Sayers
  7. Part I. Making and the Humanities
    1. 1. The Boundary Work of Making in Digital Humanities | Julie Thompson Klein
    2. 2. On the “Maker Turn” in the Humanities | David Staley
    3. 3. Vibrant Lives Presents The Living Net | Jessica Rajko, Jacqueline Wernimont, Eileen Standley, Stjepan Rajko, and Michael Krzyzaniak
    4. 4. A Literacy of Building: Making in the Digital Humanities | Bill Endres
    5. 5. Project Snapshot: MashBOT | Helen J. Burgess
    6. 6. Making Humanities in the Digital: Embodiment and Framing in Bichitra and Indiancine.ma | P. P. Sneha
  8. Part II. Made by Whom? For Whom?
    1. 7. Making the RA Matter: Pedagogy, Interface, and Practices | Janelle Jenstad and Joseph Takeda
    2. 8. Reproducing the Academy: Librarians and the Question of Service in the Digital Humanities | Roxanne Shirazi
    3. 9. Looks Like We Made It, But Are We Sustaining Digital Scholarship? | Chelsea A. M. Gardner, Gwynaeth McIntyre, Kaitlyn Solberg, and Lisa Tweten
    4. 10. Full Stack DH: Building a Virtual Research Environment on a Raspberry Pi | James Smithies
    5. 11. Project Snapshot: Mic Jammer | Allison Burtch and Eric Rosenthal
    6. 12. The Making of a Digital Humanities Neo-Luddite | Marcel O’Gorman
    7. 13. Project Snapshot: Made: Technology on Affluent Leisure Time | Garnet Hertz
    8. 14. Reifying the Maker as Humanist | John Hunter, Katherine Faull, and Diane Jakacki
    9. 15. All Technology Is Assistive: Six Design Rules on Disability | Sara Hendren
  9. Part III. Making as Inquiry
    1. 16. Thinking as Handwork: Critical Making with Humanistic Concerns | Gabby Resch, Dan Southwick, Isaac Record, and Matt Ratto
    2. 17. Project Snapshot: Bibliocircuitry and the Design of the Alien Everyday, 2012–13 | Kari Kraus
    3. 18. Doing History by Reverse Engineering Electronic Devices | Yana Boeva, Devon Elliott, Edward Jones-Imhotep, Shezan Muhammedi, and William J. Turkel
    4. 19. Electronic Music Hardware and Open Design Methodologies for Post-Optimal Objects | Ezra Teboul
    5. 20. Project Snapshot: Glitch Console | Nina Belojevic
    6. 21. Creative Curating: The Digital Archive as Argument | Joanne Bernardi and Nora Dimmock
    7. 22. Reading Series Matter: Performing the SpokenWeb Project | Lee Hannigan, Aurelio Meza, and Alexander Flamenco
    8. 23. Project Snapshot: Loss Sets | Aaron Tucker, Jordan Scott, Tiffany Cheung, and Namir Ahmed
    9. 24. Dialogic Objects in the Age of 3-D Printing: The Case of the Lincoln Life Mask | Susan Garfinkel
  10. Part IV. Making Spaces and Interfaces
    1. 25. Feminist Hackerspaces: Hacking Culture, Not Devices (the zine!) | Amy Burek, Emily Alden Foster, Sarah Fox, and Daniela K. Rosner
    2. 26. Project Snapshot: Fashioning Circuits, 2011–Present | Kim A. Brillante Knight
    3. 27. Making Queer Feminisms Matter: A Transdisciplinary Makerspace for the Rest of Us | Melissa Rogers
    4. 28. Project Snapshot: Movable Party | Wendy Hsu, Steven Kemper, Josef Cameron Taylor, Linda Wei, and Jacob Alden Sargent
    5. 29. Disrupting Dichotomies: Mobilizing Digital Humanities with the MakerBus | Kim Martin, Beth Compton, and Ryan Hunt
    6. 30. Project Snapshot: Designs for Foraging: Fruit Are Heavy, 2015–16 | Carl Disalvo, Tom Jenkins, Jong Won (Karl) Kim, Catherine Meschia, and Craig Durkin
    7. 31. Experience Design for the Humanities: Activating Multiple Interpretations | Stan Ruecker and Jennifer Roberts-Smith
    8. 32. Project Snapshot: AIDS Quilt Touch: Virtual Quilt Browser | Anne Balsamo, Dale MacDonald, and Jon Winet
    9. 33. Building Humanities Software That Matters: The Case of the Ward One Mobile App | Heidi Rae Cooley and Duncan A. Buell
    10. 34. Placeable: A Social Practice for Place-Based Learning and Co-Design Paradigms | Aaron D. Knochel and Amy Papaelias
    11. 35. Making the Model: Scholarship and Rhetoric in 3-D Historical Reconstructions | Elaine Sullivan, Angel David Nieves, and Lisa M. Snyder
  11. Part V. Making, Justice, Ethics
    1. 36. Beyond Making | Debbie Chachra
    2. 37. Making It Matter | Jeremy Boggs, Jennifer Reed, and J. K. Purdom Lindblad
    3. 38. Ethics in the Making | Erin R. Anderson and Trisha N. Campbell
  12. Acknowledgments
  13. Contributors

Acknowledgments

As editor of this volume, I acknowledge with respect that I live and work on the traditional territories of the Songhees, Esquimalt, and WSÁNEĆ peoples, whose historical relationships with the land continue to this day.

Thanks and love to Brooken, Beckett, and Willem for all of the hugs and support along the way. Thanks as well to each of the volume’s contributors, who were a positive force and also very patient with me.

Nadia Timperio (research assistant with the MLab at UVic) worked with me to prepare this volume and facilitate peer-to-peer review in 2015–16. David Goehring copyedited the volume in 2017, and Allison Murphy (research assistant with the Department of English at UVic) proofread it with me. Alex Gil, Matthew K. Gold, and Lauren F. Klein gave valuable feedback on the proposal and manuscript, and all of the contributors went above and beyond during review and revision. Initial research for this volume was supported by the Social Sciences and Humanities Research Council of Canada (SSHRC) and the Canada Foundation for Innovation (CFI) as well as the Departments of English and Visual Arts at UVic. Eternal thanks to Kari Kraus, William J. Turkel, and Kathy Woodward for their advice early on, and to Carrie Bodle, Axel Roesler, and Phillip Thurtle for teaching with me during the University of Washington’s 2008 Summer Institute in the Arts and Humanities, which inspired this volume. Of course, Making Things and Drawing Boundaries would not have been possible without two amazing teams: Douglas Armato, Anne Carter, Danielle M. Kasprzak, Daniel Ochsner, Kenneth Wee, and everyone at the University of Minnesota Press; and Susan Baker, Melody Negron, Maura Neville, and the crew at Westchester Publishing Services.

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