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table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. Introduction | Jacqueline Wernimont and Elizabeth Losh
  7. Part I. Materiality
    1. 1. “Danger, Jane Roe!” Material Data Visualization as Feminist Praxis | Kim Brillante Knight
    2. 2. The Android Goddess Declaration: After Man(ifestos) | micha cárdenas
    3. 3. What Passes for Human? Undermining the Universal Subject in Digital Humanities Praxis | Roopika Risam
    4. 4. Accounting and Accountability: Feminist Grant Administration and Coalitional Fair Finance | Danielle Cole, Izetta Autumn Mobley, Jacqueline Wernimont, Moya Bailey, T. L. Cowan, and Veronica Paredes
  8. Part II. Values
    1. 5. Be More Than Binary | Deb Verhoeven
    2. 6. Representation at Digital Humanities Conferences (2000–2015) | Nickoal Eichmann-Kalwara, Jeana Jorgensen, and Scott B. Weingart
    3. 7. Counting the Costs: Funding Feminism in the Digital Humanities | Christina Boyles
    4. 8. Toward a Queer Digital Humanities | Bonnie Ruberg, Jason Boyd, and James Howe
  9. Part III. Embodiment
    1. 9. Remaking History: Lesbian Feminist Historical Methods in the Digital Humanities | Michelle Schwartz and Constance Crompton
    2. 10. Prototyping Personography for The Yellow Nineties Online: Queering and Querying History in the Digital Age | Alison Hedley and Lorraine Janzen Kooistra
    3. 11. Is Twitter Any Place for a [Black Academic] Lady? | Marcia Chatelain
    4. 12. Bringing Up the Bodies: The Visceral, the Virtual, and the Visible | Padmini Ray Murray
  10. Part IV. Affect
    1. 13. Ev-Ent-Anglement: A Script to Reflexively Extend Engagement by Way of Technologies | Brian Getnick, Alexandra Juhasz, and Laila Shereen Sakr (VJ Um Amel)
    2. 14. Building Pleasure and the Digital Archive | Dorothy Kim
    3. 15. Delivery Service: Gender and the Political Unconscious of Digital Humanities | Susan Brown
  11. Part V. Labor
    1. 16. Building Otherwise | Julia Flanders
    2. 17. Working Nine to Five: What a Way to Make an Academic Living? | Lisa Brundage, Karen Gregory, and Emily Sherwood
    3. 18. Minority Report: The Myth of Equality in the Digital Humanities | Barbara Bordalejo
    4. 19. Complicating a “Great Man” Narrative of Digital History in the United States | Sharon M. Leon
  12. Part VI. Situatedness
    1. 20. Can We Trust the University? Digital Humanities Collaborations with Historically Exploited Cultural Communities | Amy E. Earhart
    2. 21. Domestic Disturbances: Precarity, Agency, Data | Beth Coleman
    3. 22. Project | Process | Product: Feminist Digital Subjectivity in a Shifting Scholarly Field | Kathryn Holland and Susan Brown
    4. 23. Decolonizing Digital Humanities: Africa in Perspective | Babalola Titilola Aiyegbusi
    5. 24. A View from Somewhere: Designing The Oldest Game, a Newsgame to Speak Nearby | Sandra Gabriele
    6. 25. Playing the Humanities: Feminist Game Studies and Public Discourse | Anastasia Salter and Bridget Blodgett
  13. Contributors
  14. Index

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A different version of chapter 24 by Sandra Gabriele was previously published with Natalie Z. Walschots in French as “Une vue de quelque part: Concevoir le plus vieux jeu du monde,” in Le témoignage sexuel et intime, un levier de changement social?, ed. M. N. Mensah (Montréal: Presses de l’Université du Québec, 2017). The author gratefully acknowledges PUQ’s permission to publish this version.

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