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Notes

table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. Introduction | Jacqueline Wernimont and Elizabeth Losh
  7. Part I. Materiality
    1. 1. “Danger, Jane Roe!” Material Data Visualization as Feminist Praxis | Kim Brillante Knight
    2. 2. The Android Goddess Declaration: After Man(ifestos) | micha cárdenas
    3. 3. What Passes for Human? Undermining the Universal Subject in Digital Humanities Praxis | Roopika Risam
    4. 4. Accounting and Accountability: Feminist Grant Administration and Coalitional Fair Finance | Danielle Cole, Izetta Autumn Mobley, Jacqueline Wernimont, Moya Bailey, T. L. Cowan, and Veronica Paredes
  8. Part II. Values
    1. 5. Be More Than Binary | Deb Verhoeven
    2. 6. Representation at Digital Humanities Conferences (2000–2015) | Nickoal Eichmann-Kalwara, Jeana Jorgensen, and Scott B. Weingart
    3. 7. Counting the Costs: Funding Feminism in the Digital Humanities | Christina Boyles
    4. 8. Toward a Queer Digital Humanities | Bonnie Ruberg, Jason Boyd, and James Howe
  9. Part III. Embodiment
    1. 9. Remaking History: Lesbian Feminist Historical Methods in the Digital Humanities | Michelle Schwartz and Constance Crompton
    2. 10. Prototyping Personography for The Yellow Nineties Online: Queering and Querying History in the Digital Age | Alison Hedley and Lorraine Janzen Kooistra
    3. 11. Is Twitter Any Place for a [Black Academic] Lady? | Marcia Chatelain
    4. 12. Bringing Up the Bodies: The Visceral, the Virtual, and the Visible | Padmini Ray Murray
  10. Part IV. Affect
    1. 13. Ev-Ent-Anglement: A Script to Reflexively Extend Engagement by Way of Technologies | Brian Getnick, Alexandra Juhasz, and Laila Shereen Sakr (VJ Um Amel)
    2. 14. Building Pleasure and the Digital Archive | Dorothy Kim
    3. 15. Delivery Service: Gender and the Political Unconscious of Digital Humanities | Susan Brown
  11. Part V. Labor
    1. 16. Building Otherwise | Julia Flanders
    2. 17. Working Nine to Five: What a Way to Make an Academic Living? | Lisa Brundage, Karen Gregory, and Emily Sherwood
    3. 18. Minority Report: The Myth of Equality in the Digital Humanities | Barbara Bordalejo
    4. 19. Complicating a “Great Man” Narrative of Digital History in the United States | Sharon M. Leon
  12. Part VI. Situatedness
    1. 20. Can We Trust the University? Digital Humanities Collaborations with Historically Exploited Cultural Communities | Amy E. Earhart
    2. 21. Domestic Disturbances: Precarity, Agency, Data | Beth Coleman
    3. 22. Project | Process | Product: Feminist Digital Subjectivity in a Shifting Scholarly Field | Kathryn Holland and Susan Brown
    4. 23. Decolonizing Digital Humanities: Africa in Perspective | Babalola Titilola Aiyegbusi
    5. 24. A View from Somewhere: Designing The Oldest Game, a Newsgame to Speak Nearby | Sandra Gabriele
    6. 25. Playing the Humanities: Feminist Game Studies and Public Discourse | Anastasia Salter and Bridget Blodgett
  13. Contributors
  14. Index

For Tycho Horan with much love and admiration for the many digital feminisms that can be generated by the printing press

For all the women and nonbinary people who continually fight to simply live their lives fully and deserve to be seen, heard, and respected. I love to you.

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A different version of chapter 24 by Sandra Gabriele was previously published with Natalie Z. Walschots in French as “Une vue de quelque part: Concevoir le plus vieux jeu du monde,” in Le témoignage sexuel et intime, un levier de changement social?, ed. M. N. Mensah (Montréal: Presses de l’Université du Québec, 2017). The author gratefully acknowledges PUQ’s permission to publish this version.

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